Oggetto e Opera d’Arte

Durante una fiera d’arte, un collezionista ha definito le opere come “oggetti”, rivelando la loro natura materiale prima di diventare opere d’arte, grazie all’interazione con l’artista e l’osservatore. Questa riflessione sottolinea l’importanza della relazione tra materia, creazione e percezione nel definire il valore e il significato dell’arte.

Toti Scialoja

Toti Scialoja, 1990 This roman based painter and poet reffered to as an original and multifaceted artist has switched from expressionism to abstractionism in painting and from nonsense poetry and limericks to theatre set-up. During his time as teacher and headmaster at the Academy of Fine Arts in Rome he had many contemporary artists likeContinuaContinua a leggere “Toti Scialoja”

Ludwig Wilding

Wilding is associated with the german school of op art, a form of abstract art that uses optical illusions. This art form finds it’s roots within tromp l’oeil and derives from the constructivist practices of Walter Gropius’ Bauhaus. The best method used to arrive to the desired optical illusion is to create effects using patternContinuaContinua a leggere “Ludwig Wilding”