Durante una fiera d’arte, un collezionista ha definito le opere come “oggetti”, rivelando la loro natura materiale prima di diventare opere d’arte, grazie all’interazione con l’artista e l’osservatore. Questa riflessione sottolinea l’importanza della relazione tra materia, creazione e percezione nel definire il valore e il significato dell’arte.
Archivi della categoria: Available
Una stanza, un’enigma | A room, an enigma
Presentiamo il nuovo Viewing Room dedicato a Red Studio 1 di Mimmo Paladino, un’opera simbolica che esplora i confini tra spazio reale e dimensione mentale. Il rosso diventa materia viva, manifestando segni ancestrali. Paladino invita alla contemplazione e alla riflessione in un linguaggio che unisce tradizione e contemporaneo.
Eretico, erotico, erratico
Focus on Mario Schifano
Salvo
Salvo, 2006 / sold The aparent ingenuity of Salvo is given by his apprehension of simplicity without reflecting a maestro who has learned to elude complexity. Behind the simplifications present in his painting lies an analytic conscience of the past, a silent knowledge fueled by the unwinding roots of tradition. He manages to use inContinuaContinua a leggere “Salvo”
Toti Scialoja
Toti Scialoja, 1990 This roman based painter and poet reffered to as an original and multifaceted artist has switched from expressionism to abstractionism in painting and from nonsense poetry and limericks to theatre set-up. During his time as teacher and headmaster at the Academy of Fine Arts in Rome he had many contemporary artists likeContinuaContinua a leggere “Toti Scialoja”
Da Michelangelo
The bridge between Renaissance and Pop Art
Ludwig Wilding
Wilding is associated with the german school of op art, a form of abstract art that uses optical illusions. This art form finds it’s roots within tromp l’oeil and derives from the constructivist practices of Walter Gropius’ Bauhaus. The best method used to arrive to the desired optical illusion is to create effects using patternContinuaContinua a leggere “Ludwig Wilding”
Alberto Biasi
An astounding all-white artwork of Alberto Biasi
